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Computers Unlimited have just released SoundEdit16, which is designed to allow editing and synchronisation of CD‑quality soundtracks to QuickTime digital video. QuickTime is always thought of as a way of putting video onto a computer screen, but there is lots more to it than that. The intriguing question is: why has it taken Microsoft so many versions to re‑invent the Mac user interface? It must have cost them lots more to develop than it would have to buy the interface from Apple.
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Windows 4 adds all sorts of 'new' features: like 'plug and play', where you don't need to reconfigure your machine each time you add some new hardware to it or a File Manager with folders and files in a neat and intuitive desktop metaphor or long file names. The latest version of Microsoft's PC‑compatible graphical user interface, Windows, has just been sneak‑previewed to journalists in almost its final form. For Mac, Apple and PowerPC users, the good news is that we have the PC‑compatible/Intel crowd very worried. In all the media hype, don't forget that revisions of microprocessor chips happen all the time - Intel is just releasing new revisions of its Pentium chip, for example, and yet noone questions its whole existence on just that evidence. This news has been gleefully leapt upon by Intel supporters as evidence that the PowerPC is failing, and indeed, pressure from Wall Street in the States has reduced the price of Apple shares. The 601 PowerPC chip may be powering the current PowerMacs, but problems with the low‑power 603 chip has meant that PowerPC‑based PowerBooks may well be delayed. Luckily for readers of Apple Notes, you already have exactly the right computer and experience! Computers and multimedia may be getting so good that MIDI could soon be obsolescent. It could just be that technology has got to the point where MIDI is no longer quite as essential as it once was. Imagine - no MIDI patchbay, no Sysex hassles, no need for a huge mixer. And with a huge range of CD‑ROMs and sample CDs ready to be used as sound sources, the TDM‑based solution begins to look very attractive indeed. But is it? Taking into account the average cost of the MIDI equipment in a serious music production facility, the two look much closer in cost. This heretical thought obviously brings cries about the price - after all the Mac and sequencer solution must be much cheaper than the TDM solution. You will of course need a MIDI master keyboard, but all the sounds can come from the Mac.
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The less obvious way is to use Digidesign's TDM bus to connect a whole host of hardware and software modules together inside a Macintosh, and then produce music without the aid of MIDI modules. The obvious way is to buy a MIDI Interface, run a sequencer and connect all your MIDI gear up to it. You can use your Mac to make music in two ways. Once hooked on QMA, the logical step upwards is into MIDI and hi‑tech, and so a new generation of MIDI users may be on the horizon.
This all sounds wonderful - anything which makes MIDI and music easier for the computer novice has to be a good thing for the music business. Apple's intention seems to be to make QMA easy to use, with automatic selection of the Roland samples when no MIDI devices are present, and the hiding of the complications of MIDI channels and SMFs. This suggests that the QMA is just an encapsulation of MIDI data into a QuickTime‑friendly format.
With a vast and ever increasing resource of GM modules available for computers, I can understand Apple buying a sample sound set from Roland, but I suspect that compatibility with GM is also important to Apple.Īpple say that Standard MIDI Files (SMFs) can be converted directly into QuickTime music movies, and that MIDI devices can record directly into music movies. Although neither Apple nor Roland actually mention it, it could be that QMA will also be General MIDI compliant - so you may well be able to use more than just Roland equipment.
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It should also offer an easy upgrade path to Roland computer peripherals. It turns out that Apple and Roland have announced an agreement, by the terms of which Apple are licensing Roland's musical instrument sound technology for use in future versions of QuickTime.Īs a result, it looks like the QuickTime Music Architecture (QMA) will incorporate MIDI compatibility, and will use Sound Canvas‑derived samples for audio output. But first, he sets the record straight concerning Quicktime v.2.0.Īfter some very confused musings in the computer press about the muscial aspects of the forthcoming QuickTime 2.0, there now seems to be a much clearer idea of what Apple's intentions really are.
Latest quicktime for mac power pc computer how to#
Martin Russ dishes up the latest Apple news, explains how to make your own aliases, and even casually prophesies the death of MIDI.
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